最新的十日谈英语读后感范文
导语：十日谈是一本著名的外国名著，他给我们讲述了：僧侣们道貌岸然，满口仁义道德，骨子里却男盗女娼，是十足的伪君子。其根源盖出于教会的教规，出于教规的虚伪性和反人性。薄伽丘对教会的批判，表达了当时的城市平民阶级对神权的不满。你也有很多自己的想法吧，那就把它记录下来吧，那就把它编写成英语范文吧，仅供参考，更多相关的知识，请关注CNFLA学习网的栏目!
十日谈英语读后感：
Recently I read a book "the decameron" work, I have benefited a lot from.
"The decameron" is a collection, but it is not normal work of the story. Boccaccio adopts the form of a story, a knack to frame the story organically to form a rigorous, harmonious narrative system. Great plague as a starting point, so as to lead to ten young men and women, and point out the natural disaster led to the downfall of the social order, human relations, daub the era background for the whole work. This period of the introduction, the author of the prologue, postscript, and 10 men and women in the activities of the villa, is a big framework, cleverly inclusive and string of characters tells the story of 100. This 100 story, in addition to the first day and 9 days without proposition, the story of the eight day under a common theme, make this frame structure one integrated mass. And the characters in the story is often tells stories. Big framework, medium a small frame, medium a story, story can clearly express the author's emotions, ideas, and has a fascinating artistic charm, large and active, complex and orderly.
"The decameron" also attacked the feudal privilege and gender inequality. Boccaccio is convinced that man's dignity depends not on birth, but decided to a man's wit. Even to serve the king of the groom, the instrument and smart compared to the king, no less. Many stories recounted in their fight for happiness, lowborn men often with their own wisdom and perseverance against feudal lords and nobles. Boccaccio reveals such a truth: "poor won't kill a person of noble quality," the poor tend to be a sage, "noble man lost his ambition", the imperial family put pig sheep is the only place for children. He also holds denounced the medieval monks insulting women on behalf of the sin of the outdated ideas, praise the beauty of women is a natural creation, claims that women should enjoy equal status with men.
Boccaccio in many stories turneth the edge of the criticism to the Catholic church and religious theology, relentlessly uncovered the veil of the holy church, the monks extravagant luxuries, blackmail amass, simony, suppress heresy, such as a variety of dark deeds, completely exposed. It is important to note that in the first two story decameron, with sharp incomparable pen, boccaccio tartly satirized the corruption of the church. An evil, immoral notary, deathbed confession when a phone chat, was the church after the death of a saint. A Jew, post at the Vatican in Rome that you visit, secretly learned about, learned from the Pope, the bishop to priest, everyone is a glutton, unscrupulous, likes the lust and trafficking, Rome has become "to accommodate the big melting pot of all evil", "Christianity is full of evil and darkness." The story sets the tone for the whole work.
Boccaccio also beyond the attacked the monks' personal qualities. His criticism is much more profound. He searching, no mercy, directed at the church and religious teachings. He shows in his stories, monks, is full of virtue and morality, inside but behave like thieves and prostitutes, is a hypocrite. The root cap from church Canon, from form of hypocrisy and against humanity. Boccaccio criticism of the church, expressed the city populace class resentment of theocracy.
参考翻译：
近期我读了一本名著《十日谈》，使我受益匪浅。
《十日谈》是一部故事集，但不是普通的汇集故事的作品。薄伽丘采用故事会的形式，别出心裁地以框架结构把这些故事有机地组成一个严谨、和谐的叙述系统。大瘟疫作为一个引子，借以引出10名男女青年，并点明自然祸害导致社会秩序、人际关系的'堕落，为整部作品涂抹出时代底色。这段引子，作者的开场白、跋，和10名男女在别墅的活动，是一个大框架，巧妙地包容和串连了主人公们讲述的100个故事。这100个故事，除了第一天和第9天没有命题外，8天的故事各在一个共同的主题下展开，使这框架结构浑然一体。而故事中的人物也常常讲述故事。这样，大框架中套小框架，故事中套故事，既可鲜明地表达作者的情感、观念，又具有引人入胜的艺术魅力，庞大而活跃、复杂而有序。
《十日谈》还抨击了封建特权和男女不平等。薄伽丘确信，人的高贵并不取决于出身，而是决定于人的才智。即便是伺候国王的马夫，其仪表和聪明同国王相比，毫不逊色。不少故事叙述了在争取幸福的斗争中，出身微贱的人往往以自己的智慧、毅力战胜封建主和贵族。薄伽丘揭示了这样一条真理：“贫穷不会磨灭人的高贵品质”，穷人家往往出现圣贤，倒是“高贵叫人丧失了志气”，帝王家子弟只配放猪牧羊。他还摒斥中世纪僧侣主义污蔑女人代表罪孽的陈腐观念，赞美妇女是自然的美妙造物，主张妇女应该享有跟男人平等的地位。
薄伽丘在许多故事里把抨击的锋芒指向天主教会和宗教神学，毫不留情地揭开教会神圣的面纱，把僧侣们奢侈逸乐、敲诈聚敛、买卖圣职、镇压异端等种种黑暗勾当，统统暴露在光天化日之下。值得注意的是，在《十日谈》的头两个故事里，薄伽丘就以犀利无比的笔锋，辛辣地嘲讽了教会的腐败堕落。一个作恶多端，丧尽天良的公证人，临终忏悔时一通胡吹，死后竟被教会封为圣徒。一个犹太教徒，在教廷驻地罗马暗中察访，耳闻目睹，了解到从教皇、主教直到教士，个个都是酒囊饭袋，寡廉鲜耻，贪恋女色，还买卖人口，罗马已成为“容纳一切罪恶的大洪炉”，“基督教充满罪恶、黑暗”。这两则故事为整个作品定下了基调。
薄伽丘也不止于对僧侣的个人品质进行抨击。他的批判要深刻得多。他刨根究底，毫不留情，矛头直指教廷和宗教教义。他在一些故事中展示出，僧侣们道貌岸然，满口仁义道德，骨子里却男盗女娼，是十足的伪君子。其根源盖出于教会的教规，出于教规的虚伪性和反人性。薄伽丘对教会的批判，表达了当时的城市平民阶级对神权的不满。
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